Here are two examples of incised line;
the first is a pumpkin by artist Ray Villafane
who uses incised lines to give volume, depth, value
and detail to his pumpkin creations
by varying the depth and type of cut he uses.
The second incised drawing is a scratchboard drawing,
by John Agnew, of a desert tortoise.
What amazes me is that he artist used
the most delicate scratches
to create a piece of work that looks like a painting.
Scratchboard is actually or most usually a layer of gesso or clay
over a white or colored background with ink or paint on top.
The closeness of the scratches and some crosshatching
add shading and values of interest to this composition.
Where the layers are entirely scratched off,
you see the highlights.
Almost like working in the negative.
The next choice is an example of Cadavre Exquis type drawing
where two or more artist collaborate on one piece of drawing.
The usual way this happens is that a paper is divided
into segments by folding.
The first artist starts a drawing with lines
and then covers most of the work
before handing it over to the next artist
who adds to the visible part of the drawing in their segment
before passing it on to the next.
What appears in the end is an abstract type of drawing done
with many different types of line
from exaggerated, whimsical, and implies
to many of the other types of lines discussed
in this week's chapter.
Lines vary in the amount of control and density,
not many are consistently the same thickness.
Usually done as a game but these pieces end up
as some pretty interesting art.
My last choice is exaggerated line.
This artist used exaggerated line to emphasize the hound's nose
as the most important facial feature on the dog as for a hound,
it would be.
This type of line drawing is usually used in caricature
and/or political type of work
because it can and does bring attention to the more
"positive attributes" of the subject matter.
This intentional elongation of line or distortion
puts all other features
in the work at reduced importance.